Showing posts with label st mary's university drama voice lecturer. Show all posts
Showing posts with label st mary's university drama voice lecturer. Show all posts

Tuesday, 17 November 2009

Vocal Play


‘The Human Voice knows no bounds’ I said in a particularly impassioned section of my research seminar on Monday at St Mary’s.

Many weeks ago now Michelle asked me to deliver a seminar to St Mary’s Staff about a National Voice project I am co-ordinating and delivering called ‘Vocal Points’ (more on that in a few weeks when I go to Newcastle for the final culmination event at The Sage Gateshead on the Banks of the Tyne). I was happy to do it, having delivered a lot of presentations about the project throughout the year and across many different mediums.

The seminar went well I think, allowing me to discuss a topic incredibly close to my heart – the power and potential of the Human Voice, not just for Performers but for ‘real’ people too (said quite deliberately). Looking at social etiquette and how it kills vocal spontaneity and freedom in early years. Why do we make noise so willingly as children? And more importantly, why do we stop? This all leads to the sort of problems - anatomical, psychological and emotional that I have to deal with every day. So what can we do to combat this? How can we get people to respect the notion of ‘play’?

Some interesting questions were asked and I fielded them as best as I could, but this will never be as important as experiencing the work first hand. When I went into the field of Voice it was never focussed on the Voice of the Performer, but about realising and releasing the human voice in Community settings, promoting self-advocacy, vocal ownership and confidence. And the Vocal Points project has been a big part of that.

I struggled as I attempted to find words to describe how important and enjoyable vocal expression can be……….I should have just bought them all tickets to see Naturally 7 last night………….

The show opened to 7 of the coolest men I have ever witnessed, walking onto a bare stage. One by one they turned into a 7 piece band/modern day orchestra. Beat-boxing, vocal scatting and instrument imitation filled the Royal Festival Hall for over 2 hours, until the normally stale upper class defined atmosphere felt more like a high school pop concert.

The sheer impressive success of these men was not only in their vocal trickery, obvious bond with each other or dynamic stage presence but their amazing technical ability for pitch, volume, breath control, power and flexibility – all of my students can learn a lot from these men!

As I sat and watched them move from piece to piece I became inspired by this spectacle. How amazing if more people like this acted as ambassadors for vocal tradition? If new vocal rituals could be started from performances such as this. Gone are the days that we readily use text and speech purely for pleasure or entertainment in mainstream contexts. But we could start something new, something age defying, gender defying, class defying and ‘talent’ defying (vocalising for pleasure, not product).

As the end came on my night in the Royal Festival Hall, and in the company of this amazing act I walked to the train station past posters of X Factor finalists, and Ex Britain’s Got Talent auditionees who were ‘lucky’ enough to get a break. If the Grand Canyon were merely a crack upon the surface, the gap between Naturally 7 and these other acts was a huge gaping hole.

Naturally 7 are performing at the London Jazz Festival and can be found on you tube www.youtube.com/watch?v=z5MkNOXSdkA

Monday, 19 October 2009

If this is 'wrong' I don't want to be 'right'?


This weekend I went back to my Sunny (?) home town of Newcastle. It was so good to be back and see friends as well as telling everyone about my new job at St Mary's. But it wasn't all fun and games, I went back to deliver a keynote speech at a Secondary School to speak to a group of English teachers about 'Putting Fun Back Into Practise'. This is a subject which is incredibly close to my heart knowing the difficulties I had at school as a youngster. I didn't find out I was dyslexic until I was 22 and studying for my MA. This was a daunting prospect at this point in my career and I found it very difficult to adjust.
However, in hindsight I believe my dyslexia had a lot to do with the disenchanted feelings I had as a students in my younger years. Never feeling like I really fitted in, finding everything much harder than everyone else seemed to, finding writing a constant strain and struggle (look at me now! Writing for fun heaven forfend!). I didn't have much 'fun' in the classroom and have spent all of my teaching career so far trying to find ways that I can put 'fun' back into my own teaching and communicate with learners of all kinds through many different mediums. I try not only to teach the 'right' words and the 'right' ways to perform, but also enhance what I consider to be essential life skills; spontaneity, creativity, child like behaviour and imagination. All of which are at our disposal but need to be untapped.
I found Keith Johnstone's book 'Impro' an inspiration. He talks a lot about his experiences as a students and expresses much the same as I felt. Saying that if you feel like your inspiration is being quashed you will finally stop speaking for fear of being 'wrong' or of 'failing'. So I propose an education-wide banishment of the words 'right' or 'wrong'. Instead people should be free to experiment, play, explore and develop in whatever ways they choose. By doing this not only will our students minds be opened but as will the minds of our future leaders and people of important roles in society. By creating a world where we don't censor ourselves, where we ask questions about everything around us then nothing becomes 'taboo', nothing is 'naughty', nothing is 'bad'. Instead everything becomes a positive learning experience where we learn to choose, to be self advocates, be self aware and create our own boundaries of what is personally acceptable and what is not. Needless to say this was a little too much for my friends in Newcastle I feel. And what was more bizarre was that they seem to be scared of their own students?? A lot of the work was deemed too much, too 'over the top', 'not what the students would involve themselves in'. But, in truth, not anything that the teachers would be happy to try for fear of 'failure' or fear of being 'wrong'. And that is the crux. Can we banish these words in the classroom for our students if the teachers are using these words in regards to their own learning/teaching everyday??

I suddenly had a much greater understanding of my students frustration at Undergraduate level. And I think it will take a positive cultural and educational revolution to change it. Anything less may just be lost.

Any thoughts??

Tuesday, 13 October 2009

My first blog


How does one start a 'blog'????


I don't really get blogs. I don't understand the point generally. They seem incredibly self gratifying, talking endlessly about yourself and your own work. However, the more of them I read the more intrigued I get. 'What a good way to communicate to my students' I thought? 'What a good way to let everyone into my research thoughts' I thought to myself. So here I am!


I decided to write this blog to journal my thoughts, feelings, ideas, inspirations, activities and general random happenings as I begin my new career at St Mary's University. I hope my students find some of what I say interesting. I'll be putting lots of things up as I encounter them. Maybe it will start some discussions? Who knows??


Things here are going well so far. The students all seem very lovely and brimming with ideas and creativity. So much has happened already in the first four weeks that seems like possible blog fodder that I almost wish I had started this earlier.


Year ones are all very enthusiastic, working hard on their pieces. Looking forward to 'living newspaper' (which I am sure I will 'blog' about later).


Year 2's are proving really great to work with. Very thoughtful, lots of good work going on in sessions. Looking forward to seeing their assessments at Christmas and hoping that the Voice work will pay off!


Met the 3rd years for the first time last week. After Christmas I am directing their production of 'Arabian Nights'. Sounds good. They're excited, I'm stressed................but excited.


All in all a good first few weeks!